Her productions have consistently received positive feedback and have been well-received by audiences. In April 2019, La Bayadère made its debut, followed by the premieres of Scheherazade and The Firebird in December 2019 and Chopiniana and Polovtsian Dances in March 2020. Due to the success of these productions, they were able to reach international audiences.
As a result of her reliability, punctuality, and adaptability… Khamidullaeva contributed significantly to the success of these productions. She consistently fulfilled her tasks and established positive working relationships with her colleagues. Khamidullaeva’s students showcased their talents at the “Dance with All Your Soul” competition, earning top honors in folk dance, national dance, and contemporary dance categories.
Witnessing their enthusiasm post-competition brought her immense joy and fulfillment. Notably, Khamidullaeva has already achieved remarkable results in ballet and has performed in prominent productions. Despite this… she continues to pursue growth and advancement in her field. Although she was invited to pursue studies in Belgium and Spain, she chose to study in the United States.
In September 2022, Khamidullaeva arrived in the U.S. to participate in an internship program at the American Repertory Ballet/Princeton Ballet School in Princeton. Her primary focus is on refining her technique and artistic skills. The program involves numerous performances, “with daily rehearsals.” The emphasis is on neoclassical repertoire, “which is a new and fascinating area of study for her.” Source: BroadwayWorld.
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Ballet Dancer Beatris Khamidullaeva, whose work includes most prominent Swan Lake, Gisele, or The Wills , La Bayadère , The Nutcracker , Don Quixote, and many others, reached success in dance competitions with her students will tell the story of her journey from being a beginner ballet dancer in Tashkent now setting her sights on making a mark in the global dance scene, harnessing the power of Oriental allure.
The debut of La Bayadere occurred in April 2019, followed by the premieres of Scheherazade and The Firebird in December 2019 and the premieres of Chopiniana and Polovtsian Dances in March 2020. The theater was consistently packed during these premieres, with the audience giving positive feedback and being thoroughly impressed by the performances, leading to a constant flow of spectators. As a result of this success, many of these productions were able to reach international audiences. My reliability, punctuality, and adaptability were key factors in ensuring the success of these productions. I consistently completed all tasks assigned by the management and was able to establish positive relationships with my colleagues.
My students showcased their talents at the “Dance with AllYour Soul” competition, clinching top honors in folk dance, national dance, and contemporary dance categories. Witnessing their heightened enthusiasm for dancing post-competition brought me immense joy and fulfillment.
It is really great that you, having already achieved outstanding results in ballet and having performed in the most prominent ballets, still seek continuous growth and advancement in your field. We’re aware that you were invited to pursue your studies inBelgium, LaFact Cultural in Spain. You chose to study in the United States. Why did you like it better, and what do you do there?
Right. InSeptember 2022, I arrived in the U.S. to partake in an internship program at the American Repertory Ballet/Princeton Ballet School in Princeton. At the American Repertory Ballet/Princeton Ballet School, my main priority is honing my technique and artistic skills. We have numerous performances, and rehearsals are a daily occurrence. The focus here is on neoclassical repertoire, which is a new and fascinating area of study for me since my previous ballet training didn’t involve much neoclassical ballet.
